Seiðr Loom

A myth retold · about 5 minutes

Ask and Embla: the first humans

Three gods walking by the shore find two lifeless pieces of wood, Ask and Embla, and give them breath, mind, warmth and colour. Völuspá and Snorri agree on the gifts but not on who gave them.

Odin, Lodur, Hoenir skabe Ask og Embla by Frølich
Odin, Lodur, Hoenir skabe Ask og Embla by Frølich, Lorenz Frølich (1895). Wikimedia Commons, public domain.

The Norse story of the first people is one of the shortest myths that survives, and one of the most quoted. It takes two stanzas of Völuspá and a paragraph of Snorri. In both, humans are not born but found: two shapes lying on the shore, waiting for the gods to finish them.

Two without fate

In Völuspá the scene follows the long list of dwarfs. The seeress turns back to the gods: three of them come out of the throng, "mighty and gracious", from the home of the gods, and on the land they find two beings Völuspá 17. They are Ask and Embla, "empty of might" and "without fate". The poem does not say what they are made of or where they came from. They are simply there.

Then from the throng did three come forth,From the home of the gods, the mighty and gracious;Two without fate on the land they found,Ask and Embla, empty of might.Völuspá 17

The next stanza lists what they lacked, then what they were given, in a near-perfect mirror Völuspá 18. They had no soul, no sense, no heat, no motion, no good colour. Odin gave them soul; Hœnir gave them sense; Lóðurr gave them heat and good colour. The Old Norse words behind Bellows's "soul", "sense" and "heat" are önd (breath, spirit), óðr (mind, inspiration) and lá (a word of uncertain meaning, often taken as blood, warmth or vital moisture). Translators differ a good deal here, and Bellows's choices are one reasonable set among several.

Soul they had not, sense they had not,Heat nor motion, nor goodly hue;Soul gave Othin, sense gave Hönir,Heat gave Lothur and goodly hue.Völuspá 18

That is the whole of the poem's story. The next stanza moves straight on to the world-tree and the Norns, who "set their fates" for the sons of men Völuspá 20. Read in sequence, the two beings "without fate" receive life from the gods and then a destiny from the Norns, though the poem does not draw the link itself.

Snorri's version: the sons of Borr on the strand

Snorri's Gylfaginning tells it as the next step after the gods had built the world from Ymir's body and set the lights in the sky. Gangleri asks where the people of the world came from Gylfaginning 9. The answer: the sons of Borr — that is, Odin and his brothers Vili and Vé — were walking along the sea-strand and found two trees. They picked them up and shaped people out of them.

Each brother gave a gift. "The first gave them spirit and life; the second, wit and feeling; the third, form, speech, hearing, and sight." Snorri does not name which brother gave which, but since he has just named them in order (Odin, Vili, Vé) the reader is meant to supply it. Then the gods did something Völuspá does not mention: they gave the new people clothing and names. The man was Askr, the woman Embla. From them all humankind descends, and the gods gave them a home in Miðgarðr, the land walled off from the giants with Ymir's eyebrows.

They gave them clothing and names: the male was called Askr, and the female Embla, and of them was mankind begotten, which received a dwelling-place under Midgard.Gylfaginning 9

Only after this, in Snorri's order, do the gods build Ásgard for themselves in the middle of the world. Humans come first, then the gods' own city.

Where the story comes from

There are just two witnesses. Völuspá stanzas 17–18 are the older, preserved in the Codex Regius (about 1270) and in Hauksbók, though the poem itself is usually dated earlier, often to around the year 1000. Snorri's Gylfaginning chapter 9 was written in the 1220s and clearly knows a version of Völuspá, which he quotes elsewhere.

They differ in three concrete ways:

Lóðurr appears nowhere else in the hosted texts. Who he is has been argued for well over a century. A popular identification is with Loki, and some have linked him with Vé; neither rests on anything in the sources themselves.

Reading it today

The obvious reading is the one the names invite: people are trees brought to life, rooted in the land the gods made, and humanity's first parents mirror the world-ash Yggdrasil that stands over everything. Some scholars have gone further and connected the scene with the image of driftwood washed up on a treeless Icelandic shore, which would explain why the pair are found "on the land" by the sea; that is an appealing guess rather than anything the texts state.

It is also worth noticing what the story leaves out. There is no fall, no garden and no special creation of the woman from the man: the two are found together and made at the same moment. Snorri, who knew Genesis well, keeps that symmetry.

The story has an echo at the other end of time. After Ragnarök, two more humans, Líf and Lífþrasir, survive hidden in Hoddmímir's Holt, living on morning dew, and from them "all the world shall be peopled" again Gylfaginning 53 Vafþrúðnismál 45. Ask and Embla begin humanity; Líf and Lífþrasir begin it a second time.

Key passages

Two without fate on the land they found, Ask and Embla, empty of might.
Völuspá 17 Three gods find Ask and Embla lying on the land, not yet alive.
Soul they had not, sense they had not, Heat nor motion, nor goodly hue; Soul gave Othin, sense gave Hönir, Heat gave Lothur and goodly hue.
Völuspá 18 The poem's account of what the three gods gave: Odin breath or soul, Hœnir mind, Lóðurr warmth and colour.
they found two trees, and took up the trees and shaped men of them
Gylfaginning 9 Snorri makes the sons of Borr the makers and says Ask and Embla were trees.
the male was called Askr, and the female Embla, and of them was mankind begotten, which received a dwelling-place under Midgard
Gylfaginning 9 All humankind descends from the pair, and is housed in Miðgarðr.
From these folk shall come so numerous an offspring that all the world shall be peopled
Gylfaginning 53 After Ragnarök a second human pair, Líf and Lífþrasir, repeats the role of Ask and Embla.

Who appears

Ask and Embla Askr ok Embla The first man and woman, made by three gods from two pieces of wood found on the shore. All humankind descends from them. Odin Óðinn Chief of the Æsir: a one-eyed god of wisdom, poetry, magic, war and the dead, who gave an eye and hanged himself on a tree for knowledge, and who dies at Ragnarök. Hœnir A shadowy god, Odin's travelling companion, who gave sense to the first humans, went to the Vanir as a hostage after their war, and survives Ragnarök to take up the prophetic wand. Vili and Vé Vili ok Vé Odin's two brothers, sons of Borr and Bestla. With Odin they killed Ymir, built the world from his body and gave life to the first humans, then all but vanish from the myths. Borr Son of Búri and father of Odin, Vili and Vé by the giantess Bestla. His sons killed Ymir and raised the earth, and the poems often call them simply 'Bur's sons'. Midgard Miðgarðr The world of humans, made by Odin and his brothers from the body of the giant Ymir and fenced with his eyebrows against the giants who live around the ocean's edge. Asgard Ásgarðr The stronghold of the Æsir, walled against the giants, full of halls such as Valhall and Bilskirnir; Snorri also identifies it, confusingly, with Troy. Dwarves dvergar The underground smiths of Norse myth, made from the giant Ymir's flesh or blood; they forge the gods' greatest treasures, brew the mead of poetry, and fear the daylight. Líf and Lífþrasir Líf ok Lífþrasir The two humans who survive the end of the world hidden in Hoddmímir's wood, living on the morning dew, and from whom the new world is peopled. The völva völva The Norse seeress: a woman who foretold the future, sometimes from beyond the grave. Völuspá, the first poem of the Poetic Edda, is a völva's prophecy spoken to Odin.